John grant saxophonist/vocalist
About this event
Experience an evening of versatile live music with saxophonist and vocalist John Grant at STACK Lincoln. Performing a captivating range of easy-listening genres spanning from the 1950s to the present day, John brings smooth, engaging entertainment to the stage. Whether you're a jazz enthusiast or simply looking for a relaxed night out with quality live music, this is your chance to enjoy a talented local performer in an exceptional venue setting. STACK Lincoln, housed in the historic former St Marks railway station on the High Street, provides the perfect backdrop for an unforgettable evening. The venue's two-floor layout features a festival-sized stage with excellent sightlines from throughout the space, ensuring every guest can enjoy the performance. With professional sound and lighting support and an on-site sound technician managing the technical side, you're guaranteed a polished, professional show. Head down to Lincoln's High Street and immerse yourself in live music in a venue steeped in local history. STACK Lincoln's impressive capacity and contemporary facilities make it an ideal destination for an evening of entertainment. Discover why this reimagined railway station has become the go-to spot for live events in Lincoln.
More Information
I’m a saxophonist/vocalist from Lincoln. covering a wide range of genres. Easy listening from 50’s to present day.
Situated on Lincoln High Street this venue holds 2,162 people. Its an indoor venue in the old St Marks railway station. The St Marks railway station was the first in Lincoln. It was opened by the Midland Railway in 1846. The platforms were later demolished and it was 1985 when it closed completely. The main station was incorporated into a shopping complex before been taken over by Argos. The building will now reopen as Stack venue The venue is a two floor operation with a festival size stage with excellent viewing of the main stage area. The venue supplies sound and lighting along with a sound tec for all gigs.
